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Comments for this Image:
| aaa aaaa 2003-10-26 |
Great expressions Ken, really top notch, but is the contrast O.K? here, did you miss out a layer, or is it meant to have the sketchy finish?
I love everything else about this,but the 'unfinished' sections don't quite work. |
| Holger Göbber 2003-10-26 |
Great face! I don't want to mess with her right now! :) |
| Bill Corbett 2003-10-26 |
I'm not sure about the loose strokes over the tight work on the two background figures - is it intentional? It's still a cool picture, I'm just curious. | | (Ken McCracken) |
um, heh, there aren't supposed to be any 'loose strokes' back there - the two figures are just supposed to be very dark with just a few folds of cloth. If I were to look at a lighter version of my own pic maybe there is stuff going on that I didn't know was there.
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| James McPartlin 2003-10-27 |
Ha! that's a marvellous face, Ken! I like the feel of this one, She is such an imposing figure! |
| Christopher Shepard 2003-10-28 |
There is something almost "crystaline" in all your images, it's a certain rigid, chaotic pattern, maybe it's more mechanical like circuitry. Whatever this enigmatic design is that you embed into your work, it has an addictive quality, and is fascinating to look at. | | (Ken McCracken) |
Heh, this is maybe the best, or at least most interesting, comment I have ever gotten. Thanks.
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| christiaan iken 2004-02-17 |
; fun peice ken; like the expression alot; hard to pull of dynamic expressions and all but it works well here;uve dont tonnes of new work man
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